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style='mso-yfti-irow:0;mso-yfti-firstrow:yes'> <td rowspan=4 style='padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; mso-no-proof:yes'><img width=23 height=1 id="_x0000_i1029" src="http://www.e-flux.com/img/px.gif" alt="http://www.e-flux.com/img/px.gif"></span><span style='mso-fareast-font-family:"Times New Roman"'><o:p></o:p></span></p> </td> <td colspan=2 style='padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; mso-no-proof:yes'><img width=1 height=1 id="_x0000_i1028" src="http://www.e-flux.com/img/px.gif" alt="http://www.e-flux.com/img/px.gif"></span><span style='mso-fareast-font-family:"Times New Roman"'><o:p></o:p></span></p> </td> </tr> <tr style='mso-yfti-irow:1'> <td valign=top style='padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; mso-no-proof:yes'><img width=1 height=20 id="_x0000_i1027" src="http://www.e-flux.com/img/px.gif" alt="http://www.e-flux.com/img/px.gif"></span><span style='mso-fareast-font-family:"Times New Roman"'><br style='mso-special-character: line-break'> <![if !supportLineBreakNewLine]><br style='mso-special-character:line-break'> <![endif]><o:p></o:p></span></p> <h1 style='margin-top:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left: 0cm'><span class=SpellE><span style='font-size:13.0pt;font-family:"Arial","sans-serif"; mso-fareast-font-family:"Times New Roman";color:#333333'>Artissima</span></span><span style='font-size:13.0pt;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><o:p></o:p></span></h1> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"'><br style='mso-special-character:line-break'> <![if !supportLineBreakNewLine]><br style='mso-special-character:line-break'> <![endif]><o:p></o:p></span></p> </td> <td style='padding:0cm 0cm 0cm 0cm'></td> </tr> <tr style='mso-yfti-irow:2'> <td style='padding:3.0pt 0cm 0cm 0cm'></td> <td style='padding:0cm 0cm 0cm 0cm'></td> </tr> <tr style='mso-yfti-irow:3;mso-yfti-lastrow:yes;height:878.75pt'> <td style='padding:0cm 0cm 0cm 0cm;height:878.75pt'> <p class=MsoNormal align=center style='text-align:center'><span style='mso-fareast-font-family:"Times New Roman";mso-no-proof:yes'><img width=1 height=15 id="_x0000_i1026" src="http://www.e-flux.com/img/px.gif" alt="http://www.e-flux.com/img/px.gif"></span><span lang=EN-US style='mso-fareast-font-family:"Times New Roman";mso-ansi-language:EN-US'><br> </span><b><span lang=EN-US style='font-size:8.0pt;font-family:"Tahoma","sans-serif"; mso-fareast-font-family:"Times New Roman";color:#333333;mso-ansi-language: EN-US'>ARTISSIMA 18</span></b><span lang=EN-US style='font-size:8.0pt; font-family:"Tahoma","sans-serif";mso-fareast-font-family:"Times New Roman"; color:#333333;mso-ansi-language:EN-US'> <br> <b>Oval, <span class=SpellE>Lingotto</span> <span class=SpellE>Fiere</span>, Turin</b><br> 4 6 November 2011<br> <br> <b>Preview and opening:</b><br> 3 November </span><span lang=EN-US style='mso-fareast-font-family:"Times New Roman"; mso-ansi-language:EN-US'><br> <br> </span><span style='font-size:8.0pt;font-family:"Tahoma","sans-serif"; mso-fareast-font-family:"Times New Roman";color:#666666'><a href="http://www.artissima.it"><span lang=EN-US style='mso-ansi-language: EN-US'>www.artissima.it</span></a></span><span style='font-size:8.0pt; font-family:"Tahoma","sans-serif";mso-fareast-font-family:"Times New Roman"; color:#666666;mso-ansi-language:EN-US'> </span><span lang=EN-US style='mso-fareast-font-family:"Times New Roman";mso-ansi-language:EN-US'><br> <br> </span><span lang=EN-US style='font-size:8.0pt;font-family:"Tahoma","sans-serif"; mso-fareast-font-family:"Times New Roman";mso-ansi-language:EN-US'>Running 4 6 November, <span class=SpellE>Artissima</span> 18 brings together under one roof an outstanding selection of cutting-edge contemporary art galleries and an experimental curatorial <span class=SpellE>programme</span>. For the second consecutive year, the fair takes place in one single venue: the impeccable Oval pavilion. <span class=SpellE>Artissima's</span> traditional groupings feature again: <b>Main Section</b>, dedicated to established galleries for whom the promotion of emerging talent is a focus; <b>New Entries</b>, which gathers the most interesting galleries that have been operating for less than five years; <b>Present Future</b>, devoted to a group of emerging artists invited by a team of international curators; and <b>Back to the Future</b>, which was launched in 2010 and presents artists who were active in the 1960s and 70s and whose work is of particular relevance today. <span class=SpellE>Artissima</span> is a window on to the most experimental research in the visual arts and attracts huge interest from specialists in the field, the general public and the media, having drawn 48,000 visitors and over 1,300 accredited journalists in 2010.<br> <br> <b>2011 CURATORIAL PROJECTS</b><br> This year's cultural <span class=SpellE>programme</span> builds on the exploration of future scenarios for the museum which began in the 'House of Contamination' in 2010. It comprises two interlinked events: one within the fair during opening hours (titled 'Simple Rational Approximations'), and the other outside in the evenings ('<span class=SpellE>Artissima</span> LIDO'). The two projects examine new models and structures for the production, interpretation and dissemination of contemporary art, and, for the first time at the fair, both are <span class=SpellE>curated</span> by artists. <br> <br> <b>Simple Rational Approximations</b><br> Located at the centre of the pavilion, 'Simple Rational Approximations' is a project for a museum imagined by Turin-based artist <b>Lara <span class=SpellE>Favaretto</span></b> in collaboration with <span class=SpellE>Artissima</span> director Francesco <span class=SpellE>Manacorda</span>. This provisional institution rethinks the modus operandi of museums of contemporary art by employing some of their traditional functions. A number of existing projects and new proposals by individuals, institutions and collectives worldwide have been selected owing to their inventive re-imagining of operational and programming methods. These include departure from the conventions of the museum, its formats and acquired lexicon, as well as disregard for the boundaries between its divisions: exhibition, collection, interpretation, production, storage, education, etc. This precarious bringing together (the Latin root of the word 'approximation') of diverse ideas and attitudes creates an ephemeral, nomadic and fictional <span class=SpellE>organisation</span> that exists for a mere four days within <span class=SpellE>Artissima</span>. 'Simple Rational Approximations' therefore embodies the paradox of a hypothesis for an institutional model; an organism intended to be solid and long-term that is built on impermanence and fragmentation.<br> <br> <span class=SpellE><b>Artissima</b></span><b> LIDO</b><br> This year, for the first time, <span class=SpellE>Artissima</span> presents an evening <span class=SpellE>programme</span> in the centre of Turin and outside the fair's opening hours. Several artist-run initiatives from across the Italian peninsula are temporary displaced into a number of venues around the medieval area of the <span class=SpellE>Quadrilatero</span> Romano, continuing their experimental activities in the same city simultaneously. The project draws upon and further develops a network of spaces and collectives that introduces a little known aspect of Italy and its hidden art scene. <span class=SpellE>Curated</span> by three Italian artists, <b>Christian <span class=SpellE>Frosi</span>, <span class=SpellE>Renato</span> <span class=SpellE>Leotta</span></b> and <b>Diego <span class=SpellE>Perrone</span></b>, '<span class=SpellE>Artissima</span> LIDO' offers a dense and diverse series of exhibitions, performances, screenings, concerts, talks and publications, presented in shops, restaurants, cafés, studios and courtyards. The starting point for a wandering walk around the <span class=SpellE>neighbourhood</span> is the <span class=SpellE>Artissima</span> Social Bar: a temporary after-hours club in which art professionals and visitors to the fair can meet every evening and enjoy further performances and events.<br> <br> <span class=SpellE><b>Artissima</b></span><b> Selection Committees</b><br> <br> <b>Main Section and New Entries</b><br> <b>Daniele <span class=SpellE>Balice</span></b>, <span class=SpellE>Galerie</span> <span class=SpellE>Balicehertling</span>, Paris  <b>Isabella <span class=SpellE>Bortolozzi</span></b>, Isabella <span class=SpellE>Bortolozzi</span> <span class=SpellE>Galerie</span>, Berlin  <b>Mario <span class=SpellE>Cristiani</span></b>, Galleria Continua, San <span class=SpellE>Gimignano</span>, Beijing, Le Moulin  <b>Darren <span class=SpellE>Flook</span></b>, Hotel, London  <b>Casey Kaplan</b>, Casey Kaplan Gallery, New York  <b>Norma <span class=SpellE>Mangione</span></b>, Galleria Norma <span class=SpellE>Mangione</span>, Turin  <span class=SpellE><b>Gregor</b></span><b> <span class=SpellE>Podnar</span></b>, <span class=SpellE>Galerija</span> <span class=SpellE>Gregor</span> <span class=SpellE>Podnar</span>, Berlin, Ljubljana<br> <br> <b>Present Future</b><br> <b>Luigi <span class=SpellE>Fassi</span></b> (co-<span class=SpellE>ordinator</span>), Art Director, <span class=SpellE>ar</span>/<span class=SpellE>ge</span> <span class=SpellE>kunst</span> <span class=SpellE>Galerie</span> Museum, Bolzano  <b>Chris Fitzpatrick</b>, Independent Curator, San Francisco  <b>Christophe <span class=SpellE>Gallois</span></b>, Curator, MUDAM, <span class=SpellE>Musée</span> <span class=SpellE>d'Art</span> <span class=SpellE>Moderne</span> Grand-<span class=SpellE>Duc</span> Jean, Luxembourg  <b>Antonia <span class=SpellE>Majaca</span></b>, Art Director, <span class=SpellE>Galerija</span> <span class=SpellE>Miroslav</span> <span class=SpellE>Kraljevic</span>, Zagreb<br> <br> <b>Back to the Future</b><br> <span class=SpellE><b>Massimiliano</b></span><b> <span class=SpellE>Gioni</span></b>, Associate Director, New Museum of Contemporary Art, New York, and Art Director, <span class=SpellE>Fondazione</span> Nicola <span class=SpellE>Trussardi</span>, Milan  <b>Christine <span class=SpellE>Macel</span></b>, Chief Curator of Contemporary Art, Centre Pompidou, Paris  <b>Jessica Morgan</b>, <span class=SpellE>Daskalopoulos</span> Curator, International Art, Tate, London <br> <br> <br> ARTISSIMA is owned by <span class=SpellE>Regione</span> <span class=SpellE>Piemonte</span>, <span class=SpellE>Provincia</span> <span class=SpellE>di</span> Torino and <span class=SpellE>Città</span> <span class=SpellE>di</span> Torino and managed by <span class=SpellE>Fondazione</span> Torino <span class=SpellE>Musei</span>. </span><span class=SpellE><span style='font-size:8.0pt;font-family:"Tahoma","sans-serif"; mso-fareast-font-family:"Times New Roman"'>With</span></span><span style='font-size:8.0pt;font-family:"Tahoma","sans-serif";mso-fareast-font-family: "Times New Roman"'> <span class=SpellE>support</span> <span class=SpellE>from</span>: Camera di commercio di Torino, Compagnia di San Paolo and Fondazione per l'Arte Moderna e Contemporanea CRT.<br> <br> <br> <br> </span><span style='mso-fareast-font-family:"Times New Roman"'><br> <br> </span><span style='mso-fareast-font-family:"Times New Roman";mso-no-proof: yes'><img border=0 width=1 height=30 id="_x0000_i1025" src="http://www.e-flux.com/img/px.gif" alt="http://www.e-flux.com/img/px.gif"></span><span style='mso-fareast-font-family:"Times New Roman"'><o:p></o:p></span></p> </td> <td style='padding:0cm 0cm 0cm 0cm;height:878.75pt'></td> </tr> </table> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"'><o:p>&nbsp;</o:p></span></p> </div> </body> </html>